Paris Fashion Week: Comme, Celine and Junya AW11

I mentioned in my previous post about giving up slightly by the time Paris Fashion Week comes around which is terribly sad as Paris is usually the most exciting. It's a good job Paris is the most exciting otherwise I wouldn't be doing this post - Comme des Garcons is quite literally one of the best collections I've seen all season. I don't understand it and it baffles me beyond belief but I thought it was great nonetheless.

I absolutely adore the ruffled shorts and even though the half-jacket is a little impractical, I think it's stunning. You can always trust Comme to mix it up and do what every other designer is too scared to create; it's a whole new ingenious twist on androgyny.

Celine was another show I enjoyed but only for the jackets. There's always room for a tailored trouser but the coats were especially wonderful this season; the whole deconstructed element is something I didn't expect from Celine which made it all the more better.

The zesty orange number is very Raf Simons/Richard Nicoll but it's a beautiful shape and I love that Phoebe has kept it ultra simple - that sort of colour can't handle fussy details. The lengthy deconstructed coats are truly amazing. I keep seeing variations of everything I loved from the 90s but given a modern twist and these are perfect examples - I can tell AW11 is going to be a good season for me.

Last but not least, Junya Watanabe. I previously mentioned that I wanted to write about this show because I thought it was utterly bonkers - in a good way, of course.

Fur was a stand out aspect of Junya's fall collection and although I want to think it's a little bit vulgar, I really love it. The coats remind me of something hideous you would find in New Look or Primark but if you imagine Carine Roitfeld or Emmanuelle Alt in them, they suddenly become really great. Fur is an obvious choice for fall but then again so is black which was also heavily featured this season, I don't care because had I the money, I'd buy them.

What do you think of Comme's bizarre collection and Celine's take on deconstruction?

photos from style.com