Saturday, 10 March 2012

Broken Laptop Blues

To cut a long and boring story short, my laptop is broken. Not only does this mean that I can't stalk anyone on Facebook but it has also put a halt to posting. Finger's crossed that normal service resumes ASAP because quite frankly, not having a computer sucks.

Wednesday, 7 March 2012

Wednesday Weakness: Cobalt Blue

To some, it might seem rather odd to have a colour as a fashion weakness, however, if you've been paying attention to the catwalks for Fall/Winter 2012, you'll know that cobalt is set to be a massive trend. Along with tangerine and fuchsia pink, cobalt-blue is one of those colours that Miranda Priestly from The Devil Wears Prada (aka Anna Wintour) would rave about until it went into the sale. The best way to invest? Buy something now, especially if it's in the sale!

What colours will you be wearing next season? 

Alternative Red-Carpet Dressing with Valentino FW12

None of these dresses are of the traditional red-carpet variety: there are no garish colours, no strapless sweetheart necklines, no silk-chiffon bows and definitely no heels. Saying that, they each have insane amounts of  'red-carpet' potential, especially if worn by the right person. Think along the lines of Elizabeth Olsen, Carey Mulligan, Dakota Fanning, Rose Byrne and Florence Welch and you're on the right track. The difference between these lovely ladies and the likes of other Hollywood starlets (anyone from Gossip Girl or 90210, for instance) is that they aren't afraid of 'worst-dressed' lists and can therefore think outside of the box when it comes to fashion.

Not that any of Valentino's dresses would land anyone on a worst-dressed list, of course. The demure necklines, full-length sleeves and ankle-skimming lengths from Valentino's Fall/Winter 2012 collection are for the more brave of the bunch. Valentino has always, and will always be worn on the red-carpet - it's just that these dresses require that extra something.

Photos from

Monday, 5 March 2012

Paris Fashion Week: Best In Show

Stella McCartney and Kenzo's Humberto Leon and Carol Lim  have without doubt presented my favourite two collections of all respective Fashion Weeks. Paris is known for its extraordinary designer calender and each season, something wonderful happens; I can't confess to previously being a devoted fan of either Kenzo or Stella McCartney but for Fall/Winter 2012 I am more than dedicated.

Stella is a woman's woman: she knows what we want to wear, how we want to feel and what message we want to convey through our clothes. Her Fall/Winter 2012 collection is powerful, elegant and refined without being clich├ęd or stuffy; cobalt blues and electric pinks are perfectly matched with charming tweeds and more subdued palettes of grey and black, whilst patent ankle boots are boldly worn with above-the-knee skater skirts and oversized jackets. I couldn't give two-hoots about the sports-luxe trend that we're seeing all over the high-street at the moment but for FW12 Stella makes it more desirable than Ryan Gosling covered in chocolate. These are clothes that women want to wear, all of the time.

The big-guns were clearly out over the weekend: Dior, Isabel Marant, Lanvin, Viktor & Rolf, Jean Paul Gaultier, Celine, Hermes and Givenchy all came out to play. Though it was the unlikely Kenzo that really caught my eye. As only their second season with Kenzo, Opening Ceremony's founders Humberto Leon and Carol Lim sent out a fantastically coherent and covetable collection for Fall/Winter 2012; dropped-hem A-line dresses were decked out with autumnal grape-vine prints as cropped jumpers were emblazoned with the tiger logo that will inevitably be replicated for the high-street on a colossal scale. Where last season we saw more of a street-inspired edge from Kenzo, this collection was altogether more accomplished and fun. 

Forget the apocalyptic leathers and blacks that have recently permeated the catwalk, these collections are exciting and act as a constant reminder of all that is great about womenswear. 

Photos from 

Sunday, 4 March 2012

Lost For Words: Commes des Garcons FW12

Not a single word in the English dictionary can accurately articulate my thoughts on Rei Kawakubo's Autumn/Winter 2012 collection for Commes des Garcons. That's not to say this is a bad thing, in fact, I think it's rather brilliant. "The future's in two dimensions" was Kawakubo's foundation for her latest collection as seemingly two-dimensional outfits graced the catwalk. In a fairly sardonic statement against the industry, Kawakubo's 'flat' outfits were a reflection of the images put out by the industry online and in magazines; therefore stripping them of any detail and quality. Velvet felt, leopard print, florals and even evening wear was given the Commes des Garcons treatment - leaving no satirical fashion stone unturned.

I can absolutely appreciate the message behind the collection, however, as a part (no matter how minuscule) of the fashion industry, I can't help but think it a little tenuous; fashion can only survive as long as the magazines and websites that promote them can permit. Aside from this, I think the collection is...bizarre/wonderful/brilliant/ingenious/ridiculous/captivating - you decide!

Photos from

Saturday, 3 March 2012

Ashley Olsen for Elle UK

It's been a while since I've had a genuine reason to post about the Olsen's so I'm really excited to see Mary-Kate and Ashley featured in (and on the cover of) the April issue of Elle. Before you get too excited (like I did), this stunning shot of Ashley is only available for subscribers, though previews of the girls' feature and accompanying editorial are superb. I used to be more of a Vogue girl but Elle are really upping their game in terms of styling and editorials, especially when the subs covers are so incredibly beautiful. 

Mary-Kate and Ashley Olsen deserve credit where its due. It is quite an achievement to make the transition from child star to fashion designer, however, the girls succeeded above all expectations and are now mature and well-respected industry professionals. What do you think of the Ashley's cover? Are you as much of a fan of Elizabeth and James and The Row as me?

Paris Fashion Week: 'A Lesson on Confusion' by Dior

When John Galliano left Dior last year, there was a great deal of speculation about the future success of the brand. Some claimed that Galliano was not the cornerstone of Dior whilst others remained incredulous as to what would become of the French fashion powerhouse. Personally, I was one of the sceptics. Though what he did was shameful and entirely inappropriate, there is no denying that John Galliano is a fashion genius; without him at the helm, Dior's collections have thus far fallen short of the creative mark that we had come to expect. Bring that to the present day and Bill Gaytten's Fall/Winter 2012 collection for Dior was really quite uninspiring.

The balletic influence is strikingly obvious whilst midi-length pleated skirts with cinched waists evoke nostalgic images of Dior's infamous 'New Look'. However, the collection felt too safe for my liking. Bold colours and creative designs have been replaced by a predictable colour palette of black, pink and grey. As a whole, the collection is confused; with a theme surrounding the notion of 'soft modernity', Gaytten stuck to familiar silhouettes which in my eyes, translates as boring.

However, that isn't to say there were some really nice pieces. I can't bring myself to use a more enthusiastic adjective so 'nice' will have to suffice. The latter end of the collection presented some interesting pieces that you can see working well in both editorials and on the red-carpet. My favourite item is definitely the horizontal striped maxi-skirt with sheer panels - it's got Tilda Swinton written all over it, no?

I don't want to be critical of Bill Gaytten because he has an enormous pair of shoes to fill; away from the Dior label, this collection would probably be fantastic. However, when the bar has been set so high by such an ingenious predecessor, it's hard not to make the comparison. This is a collection that demonstrates great skill and knowledge, though Dior now needs to reignite its spark and enthusiasm for passion - without Galliano.

Photos from

Friday, 2 March 2012

Shopping for Pastels with Vogue China


I often find that international issues of Vogue are much more exciting than the British version, and this beautiful editorial from Vogue China's March issue is no exception. I don't know about you, but I absolutely adore 50s fashion and think that modern interpretations can frequently be a bit too 'fancy dress'. However, the stylists at Vogue China have done an amazing job at modernising the era; the leather jacket, the pastel shades, the hairstyles - all exude 50s connotations but aside from the props, the clothes are contemporary. 

If you've ever met me, you'll know that I'm probably the least likely person to embrace pastel shades for Summer; mainly because I just don't suit them. With that in mind, using the 50s as inspiration is a great way to flaunt pastel shades without looking too 'sugar and spice'. I'm not suggesting you go out in a head-to-toe 50s look but instead, take a key piece or colour and work from there:

 Cropped trousers are one of the best items to invest in this Summer because they can literally be worn with everything; bright colours and great prints will carry through brilliantly to next season. If, like me, you're quite scared by wearing too much colour, accessories are the next best thing for trying out pastels - shoes, socks, sunglasses and bags are all super easy (and cheap) to integrate into your wardrobe.

Will you be investing in pastel shades this season? Now that Paris Fashion Week is coming to an end, I'll be posting some trend-reports for Autumn/Winter, let me know your thoughts!

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